Is Book A Verb? The Social Future of the Book (Update)

I need your help...

You might remember that last fall I did a presentation titled, "Is Book A Verb? The Social Future of the Book." The big idea in it is that we are in the midst of moving from a Literal Tradition of sharing and passing on culture to a Social Tradition.

This weekend I will be updating and expanding that presentation to deliver it again on Friday at The Future of the Book Conference sponsored by Florida State University and Florida's Panhandle Library Access Network (PLAN). The help I'd like from you all is feedback and criticism, links and suggestions, in comments or via email, to make the presentation stronger.

I used Prezi, the zooming online presentation program. When I presented it in the spring, the students really liked it; some of the adults complained of way too much zooooming. A 13 minute video version...

 

 

The full Prezi presentation...

Watch Tonight: 'Book of Mormon' Is a Problem for Tony Censors

Bookofmormon_wide

You will want to watch tonight's Tony Aawards (8 P.M., CBS). 

This will be the second time Neil Patrick Harris is hosting. He won an Emmy for the last time (and another for a guest appearance on <em>Glee</em>). He's also hosted Spike’s Video Game Awards, the TV Land Awards and the Emmys. And he showed up in the opening number of the Oscars. On June 23, he will host at the LGBT Leadership Gala with President Obama. That event will be the first time a sitting president has done an LGBT fundraiser for his own campaign.

The guy's got talent!

Here's his take on why you should watch the Tony's tonight:

These days, it's so easy for us to just watch Netflix movies in Hi Def, so for a national audience, it should be a special occasion to see live people doing things in front of you. The theater gives you dramatic acting, song and dance. And with the Tonys, you get ALL of that energy. They are not pre-taped. The singers are really singing. And the speeches are better than other awards shows, because theater actors are used to talking in front of a live audience. At the Oscars, you see actors' hands shaking, they don't know what to say. And they're movie stars! I think the Tonys really have a lot to offer.

And on The Book of Mormon:

Well, it got the most nominations, and every single musical number in that show is a problem for the Tony censors – whether it's dialogue, or even the idea of a song – like, religion. They're struggling right now to see what number they CAN put in the show. If it doesn't get by the censors in the end, I can see myself announcing, 'Please stand by for two minutes while we black out.' It should be the edgiest Tonys for a while. And that's a good thing. Let's shake it up!

I was in the audience for the second performance of The Book of Mormon. The false start, personal apology from the director and Trey Parker and Matt Stone sitting sixth row center all only added to the wild enthusiasm of the audience. We knew the show would be a hit. I wondered what number they'd do at the Tony's.

My assumption is that it will be the most benign of the show. "Hello," the opening number, is set at a mission training center in Salt Lake City where young Mormons are learning to missionize door-to-door. Scott Brown agrees:

I can dream that the the Tonycast will include <em>The Book of Mormon</em>'s "Hasa Diga Eebowai," the category favorite's most talked-about number, which contains a helpful suggestion for the Supreme Being that might be anatomically impossible, even for Him. But considering the extreme de-crass-ification of past broadcasts, it seems unlikely that CBS will allow tuneful, good-natured blasphemy on its Tiffany air (yes, the same crystalline ether that, until recently, transmitted Charlie Sheen). Full-contact God-cursing just isn't easily bleepable. The show's medley will most likely open with <em>Mormon</em>&#8217;s doorbell-ringing opening number, &#8220;Hello!&#8221; Later, we're told there'll be a number anchored by Best Actor in a Musical nom Andrew Rannells. (I believe it'll be &#8220;I Believe," but don't make me swear on the Bible.)

An excellent CBS Sunday Morning report on the Book of Mormon includes discussion of that most talked-about number, “Hasa Diga Eebowai":

The Tony's will be live-blogged here. FiveThirtyEight looks at just how much a Tony is worth. Fresh Air did an interview with Parker and Stone on the show. Kevin Fallon says watch even if you've never been to a Broadway show.

 

Doug Does BRAG: The Bicycle Ride Across Georgia (Reprise)

Their tagline is: “You can’t BRAG if you don’t ride!”

The 32nd annual Bicycle Ride Across Georgia (BRAG) began Sunday at Oglethorpe College in Atlanta. It moves on to Oxford, Milledgeville, Dublin, Metter and Hinesville before coming to an end in Savannah on Saturday. Rest stops, set up every 15 miles along the route, are managed by the Special Olympics.

This is the fourth year in a row that my partner, Doug Keith, is riding. He tells me the 72 mile ride from Oxford to Milledgeville on Monday will be among the toughest of this year's course. The 100° high we're expecting, down from an earlier prediction of 102°, won't help.

Doug says he's become a star of sorts on these rides. One reason is the funny-looking vintage Pederson bike he rides. The Bentley of Bicycles, Doug's was a gift from a friend who once rode it over eleven Swiss mountain passes in ten days. 

"Good testimony that it's a good hill-riding bike," says Doug. 

He'll need a whole-lot-of that this week!

But Doug is also known on these rides because, it turns out, a good number of the riders saw my 2008 video of his first ride. The second half gives a good sense of what it's like on the road. If you have 10+ minutes (I know, an eternity in internet time!) you might give it a look. Be sure to let me know what you think.

Praise for The U.S. Postal Service. And Netflix.

Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds.

Derived  

from a quote from Herodotus’ Histories (8.98), that phrase is inscribed on the  James A. Farley Post Office building, the main post office building in New York City. The building is a McKim, Mead & White masterpiece and a totem to another time.

I live in rural Georgia. You may have heard we had an unusual snow storm here in the South this week. Georgia is home to U.P.S. We are waiting for them to deliver a Christmas package. Every day the tracking reports “weather delays.”

Understandable?

Maybe.

We had two snow days. Housebound, we wondered would our Netflix delivery make it through. We’re on the 1 DVD out at-a-time Netflix plan. Through the storm they have continued delivery, unabated and un-delayed. I put a DVD in the mail Sunday; they received it Monday; I got the new one Tuesday. I put the return DVD in the mail yesterday; they got it today; I’ll have my new one tomorrow.

UPS update this morning? “Weather delays.” [Update: "Out for delivery today."]

FedEx doesn’t even bother competing in our town. Recently when we were sent a package via FedEx, they left a voice message saying they couldn’t find our house. We suggested they try Google Maps. Our house and driveway are pictured in Street View. It turned out they had the package on the wrong truck. Something about a sticker error.

I’ve always been a fan of the U.S. Postal Service. I can match complaints about their service one-for-one with complaints about the private enterprise people. The postman puts our packages on our porch or under the eaves; UPS leaves the truck parked on the street, runs up the hill and lets the package on the step out in the rain. Our postman waves, the UPS man grunts.

Sadly, mine is apparently a minority opinion.

The U.S. Postal Service is fast approaching bankruptcy. I don’t expect the Congress to bail them out. Or data gathering sensors to save them. Privatization of public services has never worked out for me. I’d rather see subsidized broadband but that one will never happen. Polls like this one will provide cover for reduced services and a continuing spiral down.

I don’t know why Netflix chose the U.S. Postal Service to deliver its movies. But I’m glad they did.

Jon Stewart Gives Up the Murrow Mantle

A Stewart fan, I tuned in to The Daily Show last night…

Glynnis MacNicol called it an emotional, moving monologue. OTB’s Doug Mataconis calls it the smartest reaction of anyone to the tragedy in Arizona. I was disappointed; I thought it a rambling abdication of the Murrow mantle. Not for its perspective — did anyone really expect the Restoring Sanity maestro to take sides? — but what ever happened to the show must go on?

In the monologue Stewart says, “frankly after watching the news all weekend all I want to do is visit with an old friend and perhaps trade insults about one another’s acting ability.” That’s followed by a repeat of Jason Jones’ field piece on Miami Beach seniors having sex and an interview with Dennis Leary. Stewart promises that he’ll return tonight to what he normally does, “which is highlight absurdity in a comical way that is a catharsis for people.”

Stewart has faced challenges like last night’s before. The show’s return after 9/11 also featured a monologue and repeats:

Since that time Stewart has grown. His stirring media critique on the mall was followed by nearly an hour with Maddow on the rally’s meaning and another with Terry Gross on Fresh Air. Then he took up the 9/11 Bill, which seemed to refute at least some of what he said on the identity questions — Ideological or partisan? Activist or comedian-with-opinions? — he seemed to be trying to work through in those interviews.

Slate’s Christopher Beam:

Stewart has shown ambivalence about whether to insert himself into the political arena. When Rachel Maddow argued in an interview with Stewart last month that they both had political agendas, Stewart disagreed. The difference, he told Maddow, is that “You’re in the game.” Stewart said that at the Rally to Restore Sanity,

I could have gotten on the field. And people got mad that I didn’t. But that was the point. … The next thing I could do is step onto the field and go, So now, here’s what we’re gonna do. … But I don’t. That’s my failing. And my indulgence. But I feel like I am where I belong. … I don’t take any satisfaction in that. And I don’t take any satisfaction in just being a critic. Roger Ebert doesn’t make movies. So to say, Well, Roger, you’re in the game, well, no he’s not. He’s not making movies. He’s sitting in his seat saying, This movie sucks. That’s me.

With the 9/11 Bill he got in the game. And in it the NYTimes found echoes of Murrow:

Edward R. Murrow turned public opinion against the excesses of Senator Joseph McCarthy in the 1950s… Walter Cronkite’s editorial about the stalemate in the war in Vietnam after the Tet Offensive in 1968 convinced President Lyndon B. Johnson that he had lost public support and influenced his decision a month later to decline to run for re-election.

Though the scale of the impact of Mr. Stewart’s telecast on public policy may not measure up to the roles that Mr. Murrow and Mr. Cronkite played, [Syracuse University professor of television Robert J.] Thompson said, the comparison is legitimate because the law almost surely would not have moved forward without him.

In my household there is a split over which of the two fake news titans, Stewart or Colbert, is favored. I tend to come down on the side of Colbert. Like MacNicol and Mataconis, my partner was impressed by Stewart’s words. He forgives the repeats saying Stewart was trying to take a moment for reflection. But the job is not to take a moment; the job is not to sit it out; the job is to say what he has to say, then move on to do something good!

In this, Colbert was a model:


That was followed by a skewering of Republican house members Mike Fitzpatrick and Pete Sessions for missing their swearing in (and potentially violating House ethics rules against fund raising on capitol grounds) and then a hilarious, repeat, send-up of an alien hunter. So Colbert did a repeat, too. But he played it differently. He stood by his character and stuck with his show and maybe that’s his advantage: he’s always in character.

Jon Stewart doesn’t have that luxury. Stewart is clearly correct when he observes that “unfortunately for our show, the closer that we have gotten towards discussing and dealing with current events, the harder it becomes in situations where reality is truly saddening.” But that comes with territory.

In a previous interview Bob Thompson observed to me that the Comedy Central platform “offers the exact format that is perfect for Stewart’s skills, but when he goes beyond that he can get in trouble.” The weekend’s events pushed him out of format. He was in trouble, he knew it, we saw it. Maybe that’s something more to like him for.

Stewart never asked for the Murrow mantle. The 9/11 Bill was an aberration. I look forward to tonight when he can comfortably get back to his favored format. And I’ll have a cathartic laugh along with him.

SEE ALSO: NYU journalism professor Jay Rosen’s interesting  comments on the Maddow Stewart interview. Among other things, Rosen sees Stewart suggesting in it a shift in the news axis from Left v. Right to corruption v. virtue.

 

Girl Talk’s Gregg Gillis on Getting Sued

Gregg Gllis, better known to fans by his stage name, Girl Talk, released his fifth album, All Day, last month. The album is composed of 373 overlapping samples of other artists’ songs.

Fair use? Or copyright infringement?

In 2008 the NYTimes famously called Gillis, a 29-year-old Pittsburgh native and former Case Western Reserve University biomedical engineering student, a “lawsuit waiting to happen.”

In an interview to be published later this month, Michael Gallucci asked Gillis about getting sued:

With each release, I anticipate it: What’s it going to be this time? How much bigger is this project gonna get? How many more people are going to hear it? Is anyone gonna be offended by it? I do believe it should be legal, and I do think it should fall under fair-use. But, simultaneously, it’s a gray area. You don’t know. You may be challenged. Even if it is legal, I don’t want to go to court to fight it if I don’t have to. It’s on my mind, but as the days go by after the release, it fades away a little bit. …

On [2008’s] Feed the Animals there’s a bit of Metallica. And on this one there’s some Prince. A lot of the heavy-hitters have been sampled. I literally put it out and hope for the best. So far, the majority of artists have probably heard of it, or at least their labels have, and I think a lot of people can see the benefits of it. It’s not really creating any sort of competition. It’s probably turning a chunk of my listeners on to new artists.

Gillis fans have come up with a number of ways to visualize his latest work (download it for free). Using the album’s SINCE REVISED Wikipedia page, where users have identified and cataloged most of the songs sampled, Mashup breakdown has put together a color-coded timeline (image below) and alldaysamples.com has an annotated timeline.

The music is intended to be listened to as a whole, but is broken up into individual tracks for easier navigation. If you’ve yet to sample his music, track #5 from All Day, “This Is the Remix,” is in the post below. It includes samples from 34 different songs, among them music from Justin Timberlake, Bananarama, Lady GaGa, Simon & Garfunkel, the Jackson 5 and Snoop Dogg.

RELATED: Phoneix New Times also has a short interview with Gillis.

PREVIOUSLY from me on Girl Talk: They Say That I Stole This Song‘Feed the Animals’ Top of Popand RIP: A Remix Manifesto. I use my own remix of Remix as a copyright primer for the students who work for me.